But also infusing it with a bit of a contemporary element that uses electronics and synthesizers to give it a backbone. For me, capturing the medieval, very traditional vibe involved using the orchestra and using a certain type of writing that has signposts towards the medieval knights of the round table.
It’s a combination I have never seen before - this medieval environment where you’ve got knights with swords and cell phones. THR sat down with both Beck and Lehman following Nimona‘s release to talk about how they bridged the (fairy tale) past with the (tech) present in their music capturing Nimona’s emotional complexity through a female-dominated soundtrack how she ended up with her own pump-up song and “metal” playlist and how they snuck in a few easter eggs, including Psycho and George Michael references.ĬHRISTOPHE BECK We talked a lot about the setting, which is unique. (Though, as far as he knows, featuring The Dickies “Banana Splits” was not an intentional call back to voice star Chloë Grace Moretz’s appearance in Kick-Ass.) Meanwhile, Lehman leaned on an on-the-nose credits theme from K.Flay and an ear for kick-ass female rockers. Beck did so with the help of a personal partnership and the clever use of a single repetitious sequence that listeners can use to track the film’s distinctive hero through his score. Together, Lehman and Beck weave the musical arc and landscape of Nimona‘s bold and moving story.
#Yellowed music compositions movie
They finally had this opportunity to finish this movie the way that it deserved to be made, and I was really fortunate to have an amazing time being a part of it.” “Everybody was really excited about it and had been for years. This one was really a smooth process and a testament to the directors Nick and Troy and the producers,” he says.
“Most of the time there are many challenges on films that I work on. Starting with some choices already made by the music department at Blue Sky, he came in after Annapurna began completing the movie to finish delivering the radical sound for Nimona‘s rule-breaking hero. “So for it to finally happen, and with directors like Troy Quane and Nick Bruno on board who were just a delight to work with, is an incredibly happy ending.”įor music supervisor Lehman, who’s responsible for the memorable needle drops behind animated projects like Sony’s Spider-Verse films, the journey was shorter but just as rewarding. I was involved in a project that I was so excited about but had to just wait and wait and wait, and didn’t know if it was ever going to happen,” he tells THR. “That to me was the most challenging aspect of it. It’s the longest time he’s ever been on a project, after waiting years to learn if the former Blue Sky Studios turned Annapurna title would survive its initial studio’s shutdown.
It sweeps you away.”īeck - known for his work on animated titles like Frozen and Trolls - was hired six years ago “when it was a different director at a different studio,” he says. “He brings his indelible heart to it, and we want to hear that score because it’s so emotional. Then we ran away and laughed and laughed and laughed, and somehow he did it,” Quane added. “We wanted something classic and traditional to respect the fairy tale past, but make it contemporary current and hip. 'Heartstopper' Season 2 Trailer Teases the Complexities of Coming Out and a Romantic Trip to Parisįor Quane, Nimona‘s composer Christophe Beck “is nothing short of genius,” producing a score for them film so stirring, they opted to pull all other sound in a number of scenes and just let the score play.
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